The 44 Artworks of Piet Mondrian and of media Oil On Canvas and ...

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4/44
Piet Mondrian - Composition No. 1 with Grey and Red 1938 / Composition with Red 1939Composition No. 1 with Grey and Red 1938 / Composition with Red 1939Piet Mondrian

From 1938 to 1940 Piet Mondrian, who had fled wartime Paris, was established in London near his friends Naum Gabo, Barbara Hepworth, and Ben Nicholson. During this period he continued working in the highly reductivist Neo-Plastic mode he had developed in France, in which horizontal and vertical blac...

Solomon R. Guggenheim Museum (New York, United States)
5/44
Piet Mondrian - Composition C (No.III) with Red, Yellow and BlueComposition C (No.III) with Red, Yellow and BluePiet Mondrian

Initially influenced by Impressionism, Mondrian’s work changed after World War I when he delved into abstract art and non-figurative paintings. This piece is a perfect representation of his novel style of using lines and primary colours which would later be called neoplasticism. The colour, structur...

TOP1998/44
Piet Mondrian - Composition with Red, Yellow and BlueComposition with Red, Yellow and BluePiet Mondrian

Discover the masterpiece of Neoplasticism Art Movement

Piet Mondrian's 'Composition with Red, Yellow and Blue' is a prime example of the Neoplasticism art movement, also known as De Stijl. This Dutch art movement, founded in 1917 by Theo van Doesburg, advocated pure abstraction and unive...

TOP919/44
Piet Mondrian - Composition with Red, Blue and YellowComposition with Red, Blue and YellowPiet Mondrian

Discover the Masterpiece of Neoplasticism Art Movement

Composition with Red, Blue and Yellow is a 1930 painting by Piet Mondrian, a Dutch artist who was a leading figure in the Neo-Plastic...

11/44
Piet Mondrian - Composition in Colours / Composition No. I with Red and BlueComposition in Colours / Composition No. I with Red and BluePiet Mondrian

Piet Mondrian was the foremost representative of the geometrical trend in abstract art at the Cubism and Abstract Art exhibition staged in 1936 by Alfred Barr, the first director of New York’s Museum of Modern Art. Barr defined this trend as “the shape of the square confronts the silhouette of the a...

15/44
Piet Mondrian - Avond (Evening): The Red TreeAvond (Evening): The Red TreePiet Mondrian

Avond (Evening): The Red Tree serves as an important piece in Mondrain’s list of work as it shows his gradual progress towards Abstraction and departure from realism. Trees can be found in many of his paintings, depicting the theme mostly between 1905 and 1913 but the colour in this one is striking ...

22/44
Piet Mondrian - Composition with Double Lines and Yellow (unfinished)Composition with Double Lines and Yellow (unfinished)Piet Mondrian

Mondrian sought to find equilibrium in a painting or, in his words, 'to express harmony through the equivalence of relationships of lines, colors, and planes.' The myriad options he tested and discarded in the process are laid bare to the viewer in canvases like this one. Shifting charcoal lines spr...

23/44
Piet Mondrian - CompositionCompositionPiet Mondrian

This is an early example of the geometric mode of painting that Mondrian called Neo-Plasticism. The abstract two-dimensional nature of these compositions formed a new universal aesthetic language that was popularized through the magazine De Stijl. The avant-garde movement known by the same name held...

The Metropolitan Museum of Art (New York, United States Of America)
25/44
Piet Mondrian - Composition No.10Composition No.10Piet Mondrian

In Composition Number 10, Mondrian had reached the full development of his neo-plastic, non-representational form. Many of his paintings contained the basic elements of an interlocking grid of black lines and blocks of the three primary colors. Although the elements were few, he changed the structur...


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